Oil Paintings
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Charles conder English-born Australian Painter, 1868-1909
English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont
Charles conder Departure of thte OrientCircularQuay (nn02) 1888
Oil on canvas
17 3/4x19 3/4"
Purchased 1888
Painting ID:: 23090
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Charles conder Holiday at Mentone (nn02) 1888
Oil on canvas
18 1/4x24"
Painting ID:: 23091
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Charles conder Springtime (nn02) 1888
Oil on canvas
17 3/5x23 1/4
Painting ID:: 23092
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Charles conder Yarding Sheep (nn02) 1890
Oil on canvas
14x22 1/16"
Painting ID:: 28034
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Charles conder Departure of the SS Orient from Circular Quay 1888
Oil on canvas 43.2 x 48.9 cm(17 x 19 1/4 in)
Art Gallery of New South Wales,Sydney (mk63)
Painting ID:: 42158
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Charles conder Miss Raynor mk167
c.1890
Oil
Painting ID:: 42159
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Charles conder The Meeting mk167
c.1895
Watercolo on silk
Painting ID:: 42160
X
Charles conder Figure composition mk167
c.1905
Oil
Painting ID:: 58413
X
Charles conder A Holiday at Mentone A Holiday at Mentone, c1888. This painting featured on a 1984 Australian postage stamp.
Painting ID:: 75351
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Charles conder Impressionists' Camp Impressionists' Camp (1889, oil on cardboard, 13.9 x 24.0 cm) by Charles Conder (1868-1909).
cjr
Painting ID:: 75358
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Charles conder Herrick Blossoms Herrick's Blossoms (1888, oil on cardboard, 13.1 x 24.0 cm) by Charles Conder (1868-1909).
cjr
Painting ID:: 75369
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Charles conder Arcadia Arcadia (1889, oil on cardboard, 11.5 x 24.0 cm) by Charles Conder (1868-1909).
cjr
Painting ID:: 75417
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Charles conder Centennial Choir at Sorrento Centennial Choir at Sorrento (1889, oil on panel, 10.5 x 23.5 cm) by Charles Conder (1868-1909).
cjr
Painting ID:: 75459
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Charles conder Going Home Going Home (1889, oil on wood panel, 40.7 x 28.7 cm) by Charles Conder (1868-1909).
cjr
Painting ID:: 75466
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Charles conder How We Lost Poor Flossie How We Lost Poor Flossie (1889, oil on cedar panel, 25.0 x 9.2 cm) by Charles Conder (1868-1909).
cjr
Painting ID:: 75467
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Charles conder The Fatal Colours The Fatal Colours (1888, oil on wood panel, 36.0 x 20.5 cm) by Charles Conder (1868-1909).
cjr
Painting ID:: 77230
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Charles conder Impressionists Camp 1889, oil on cardboard, 13.9 x 24.0 cm) by Charles Conder (1868?C1909).
cyf
Painting ID:: 77237
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Charles conder Herrick s Blossoms 1888, oil on cardboard, 13.1 x 24.0 cm) by Charles Conder
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Painting ID:: 77246
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Charles conder Arcadia 1889, oil on cardboard, 11.5 x 24.0 cm) by Charles Conder (1868?C1909).
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Painting ID:: 77268
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Charles conder Centennial Choir at Sorrento 1889, oil on panel, 10.5 x 23.5 cm) by Charles Conder (1868?C1909).
cyf
English-born Australian Painter, 1868-1909
English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont
